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PayPlay
A window to the world of works by Timon Botez, BotezCo and Collaborators. The blend of commercial and non-commercial projects can be filtered through the pay/play. The commercial work has primarily been for museums and public environments. The concepts are experience-oriented; they engage, educate and entertain the visitor. In the mix you'll also find the odd identity, web-site and interface job. We do them too, with pleasure. The non-commercial work is generally based on observations from the real world. Simple things, like how paint changes shade when it dries. This pseudo-scientific art-research attempts to answer questions by processing and analyzing such observations. The projects offer an opportunity to pursue ideas and thoughts that are not always suitable for the commercial sector.
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BotezCo Ltd
©2009
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Irish College
Every building has its story, but few can compete with this one |
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Projected Negative Space
In celebration of the electric charge of a lightning bolt that gave life to Mary Shelly’s Frankenstein |
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Plastic Logic
Constraints are often a gift for the graphic designer |
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Nobel Signage
A bespoke pictogram and font system guides the visitor through the Nobel Peace Center |
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Nobel Field
An electrifying field of thought and reflection |
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Super Saturated Spam
I sometimes receive spam that is made up of hundreds of lines of characters that make no sense |
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GAS
Exploring ideas on how turbulence can affect bright light |
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Hats
A knitting magazine found at a Brooklyn school fair inspired the first series of mouse-paintings |
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Legible London
Many London residents don't realise that walking will take you there quicker |
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The Economist
Developing colour palettes in the commercial sector rarely gets much attention |
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Joining Dots
In computer graphic terms, the shape of an object is represented through a number of connecting dots |
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Christian Aid
Setting the mood, showing support, sending a message, all electronically |
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IRiver
Forms of energy and ways of visualising it |
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Maps of Milton Keynes
The relation between sound and colour keeps resurfacing in art theory throughout history |
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Flock
I once found myself under a tree full of birds talking to me |
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LOreal
The poetry harp is a cheesy, but effective name for an installation |
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Wall Papers
You always get the truth from drunk people and children |
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The Serpentine
An unrealised website about unrealised artworks; that is a double negative, right? |
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Baileys
Communicating a brand through abstract form and movement |
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Somerville, Mass
Is there a co-ordinated colour scheme in working class suburban Boston? |
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Intrusive - at the airport
Does the quality of the sign correlate with the cab drivers' dress code at Gatwick's arrival lounge, I wonder? |
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Halll of Ideas
Mariah Carey and Dalai Lama have at least one thing in common |
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T&D
An extensive visual language for this monotonous aural northern duo |
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A Bridge
The beginning of ACP, and plenty of other digital image experiments |
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All rights reserved © BotezCo 2009 |